Disable stereo mix - practical solutions
How do I turn off stereo mix?
- Connect your headphone.
- Right-click on the speaker icon in the right side of your taskbar.
- Select Sounds.
- Click on Playback tab.
- Right-click on the currently enabled/default speaker and select Properties.
- Click on Levels tab and see if your microphone is not muted.
What you are about to hear is a miracle. Let's start at the very beginning today so that we are all on the same page. What do I mean by mono and stereo? In the early days of the recording art, musicians were often recorded with a single microphone ... and ended up on a single wax or vinyl track, or on the single channel of AM radio - where they were played through a single speaker.
From the first recording to the final presentation, the sound was monophonic. It came from a single source. And because of this, engineers were able to predict how their studio recordings would translate to consumers fairly easily.
Stereo recordings became popular in the 1960s, however, and included a second audio channel to simulate the directionality of real world spaces. Stereo mixes were great ... except for one thing ... you see, some people had stereo playback capability ... but some people still had mono systems ... the predictability was gone 50 years nce removed the uncertainty, guess one more thing.
The smartphone in your pocket ... the tablet that you surf on the couch ... the Amazon Echo in your living room? Yes, they are still mono speakers.
So our job as a mix engineer is 2016 was no different than 1966 ... we have to check our mixes for mono compatibility.
But what if I told you that not only would your mixes be safe in all listening environments, but that your stereo mixes would even get better? as a result? Let me show you what i mean. And that should go without saying, but unless you're listening through headphones or, better yet, studio monitors, everything we're doing here will be hard to understand. There are a couple of ways we can set up mono mixing.
Selig Audio has a rack extension called Selig Gain. It has a whole bunch of great gain tools worth trying out on the front, but one of them is a Mono button, in my own Mixing template I drag a Selig Gain into the Insert FX of the Master Section, me enableKe yboard Control, and turn on Keyboard Control Edit Mode so I can double-click the Mono key and assign it to the 'N' key on my computer keyboard ...
N as in non-stereo, but you can use any key choose the one you like. Now when I get out of the keyboard controls edit mode, I have a quick shortcut to toggle my master output between mono and stereo, if you're the type of guy who likes to make the most of what you already have, of course Reason comes with a mono summing combiner as standard. If I go to the Factory Sounds in the All Effects Patches Folder and search for 'mono' ... there it is ...
Stereo Flip & Mono. And as before, I can assign the Mono key on the Combinator to my keyboard shortcut. Now that we're set up, let's take a look at a mix I've been working on to see how checking our mono output can catch issues in our stereo mix.
This is a song by an artist named Matt Tinsley. It's an epic arrangement of instruments with overdubs over overdubs of charging percussion, drums recorded with multiple microphones, guitar layers, pianos and even a string ensemble with a total of 81 channels in my mixer that is balanced, balanced, panned, influenced and mixed well ...
Need to become. But mixing in stereo can play tricks ... and it can go unnoticed, leading to a psychological state I call 'agoraphony' - the unwavering feeling that your mixes don't sound good outside of your own studio.
Mixing is about three things; relative volume, relative frequencies, and stereo position. If we remove the last one from the equation, we'll get a better sense of how to deal with the first two. This is because our brains are really good at hearing things selectively, as long as we can determine the directionality.
Allow me to demonstrate this. But listen to those voices in mono, we immediately realize that we are the Adjusting the volume of our mix to get clarity. The same decision making can be applied to Matt's song.
In the mix I'm here, I love the inter playing between Matt's guitar and those piano chords at the beginning. If you add in his outstanding vocals, our mix will get off to a great start. But if we switch to mono ... where did our piano go? It's lost ... buried under guitar, bass and vocals.
Since stereo positioning doesn't get in the way of fooling us, we need to consider the overall volume of the piano and its frequency content. But what my ear tuned and loved when listening in stereo was the haunting quality of its mid-attack. The lower end frequencies are not critical to achieving this, and in mono we can occupy the same range as the bass guitar. even in a simple mix of two instruments, it's a muddy sound.
So let's use low pass and high pass filters to focus our piano on the mids ... and we use our channel EQ to improve that mids attack even more, just with bass and piano you can hear the separation and definition.
Bring the guitars in ... and our piano still holds its own place in the mix.
Back to the full mix ... okay, we can hear our piano, but now we can make uncompromising decisions about the overall volume ... and after mine Taste I'd like to hear more of it.
That sounds good to me. Now if I switch between stereo and mono, you'll find that our mix doesn't sound any different ... just wider.
Such decisions will be reflected throughout your mix. Indeed, one of the trickiest balances in finding where to place your voice in your mix. There are many techniques that can help in getting a great sounding voice, some of which I covered in another tutorial, but once you've made your voice sound good on its own, you'll ultimately want to use it against your overall mix balance ... and mono references are great for that.
Matt's lead vocals are really nice. And I want to show it, but I don't want it to sound like he's singing karaoke over an instrumental. Listen to the second verse ... a lot of percussion and strings went into the arrangement and with the stereo mixing I pushed Matt's vocals to sit on top of it all.
Switch to mono ... it's undeniably too loud.
In mono I can pull his singing down to a point where it is understandable but is related to my instrumental ... ... but in doing so I also notice that this is one of the reasons why I put so much pressure on mixing in stereo must because the strings are too loud.
After the adjustment, my mono and stereo comparison feels similar again despite the obviously broader sound of the stereo mix. But mono doesn't just help us decide on taste. It can also reveal real issues in your mix.
Matt's acoustic guitar was recorded with two microphones for stereo imaging. And to an inexperienced ear that probably sounds nice and wide ... but listen in mono ... where have the lows gone? Mono referencing revealed a classic phase problem in our guitar recording.
So what is phase, why is it a problem and how can we fix it? All good questions. The recording process is nothing more than converting sound vibrations, in this case a guitar string, into electrical signals that are digitally stored. If you combine these electrical signals while mixing and contain conflicting information, they can work against each other.
Zoom in on our waveform and you can even see the problem with your own eyes, here are the electrical waveforms recorded by our two microphones on the guitar. You can see the electrical signal swinging up and down in what is called the 'phase' of the signal. The signal picked up by the first microphone goes up while the other goes down in antiphase phases.
And this can be done by simple things like the distance between each microphone while recording, the angle they were pointed at, or even the electronics in the microphone. But out of phase signals cancel each other out in the summation, just like in math, 4 plus -4 = 0. Our guitar signals are not perfectly out of phase ... so you could say that our sonic equation is more like 4 plus -3 = 1 ... part of our sound is audible, but slightly quieter.
Which would be great if we could flip one of our signals so they don't work against each other. We can, and we do that at the top of the mix channel with the reverse phase button, which does exactly what the name suggests: it inverts, or in other words, the phase of our signal. Hear our guitars in mono when I do that Invert the phase of one of the two microphones.
Of course I only want to invert one of them. If I invert both of them we're back to where we started, in stereo our acoustics still sound good, but in mono we no longer have phase cancellation, ours Mono mix messes up, so when should you check your mix in mono? Do you have the perfect stereo mix done and want a safety check? No, I would recommend jumping back and forth the entire mixing process to identify problems and make decisions as they arise, other engineers might even tell you should Spend most of your time in mono because if you can get a good sounding mono mix your stereo mix won't be difficult. And the same cannot be said the other way around.
In short, the best cure for your agoraphonic disease is to get mono ... no, not so mono. .yeah this mono ... so good luck with your mixing, and we'll see you soon with another selection for quick mix-fix tricks.
Why is stereo mix disabled by default?
The Home Theater system used a digital optical output. So there were no longer any connections to any of the analog outputs. For some reason the drivers thought that since I wasn't using the analog output any more, then it would shut off all analog audio. This caused the stereo mix to go silent.
Should stereo mix be enabled?
Stereo mix should appear if the soundcard is equipped for it. Stereo mix is disabled by default on most sound cards. ... Now that stereo mix is enabled and set as the default device, a recording program is used to do the actual work.
Hi everyone, this is an addendum to my use of the USB headset with stereo mix with no third party software article I'm going to get a lot of questions from a lot of people asking the same damn thing over and over so I thought I'll do a short article About Burst of Off, I'll go over how this works again, so you've watched the first one, if you haven't seen the first article, check out the first few article links in the description. The first part is the setup you plugged into your system with your USB headsets use stereo mix and if your stereo mix doesn't work it is either because your drivers are out on a date or you are using a system that has the lowest bitter version of the Rail-Tech audio system, or a non-Rail-Tech audio system could be anything if your stereo mix doesn't work that's not my problem that's your problem get it out do something of your own Troubleshoot okay I also got your screencasting software Now I created this process because I have a problem casting from a USB headset that I've been using since Monday From then on I've stopped using the USB headset, but I still have USB microphone products that I currently have considering, so I wanted to record without getting additional suffering because my older system couldn't handle it as it was also causing a lot of delay when I tried to record d adding third party software only made the mix worse so this process worked great for me and this is essentially how it works you take the audio from your mic and push it to the same place as your system sounds, the astereo Mix is You take that stereo mix and record the stream that comes out of it, so now you're hearing yourself because you're listening to the output of a stereo mix-like delay, because your voice takes a long journey from the microphone into your system to the mixer turns the mixer back to your headset, that's a little delay so it'll echo you and that's why the screencasting software can hear you because you hear yourself listening to every sound the system does now i will Here you can visually break down your microphone. Your system sounds go out in stereo mix, from stereo mix it into your recording software and also back to your headset so that you can hear nn what you're doing, but it's probably using it to hear the system sounds with less delay than your mic because there is less path for that than for this, so this actually covers using it for screencasting tools this doesn't work for skype, because Skype is a bit more complicated, Skype works much like your microphone goes into the stereo mix with your system sounds it goes from the sound of the mixer back to your headset so that you can hear you and what you are doing, it goes to Skype too The other person's computer comes from their computer and is played through your system sounds, which is played back to you in the stereo mix and is also played back on Skype.
This creates a loop that skype can detect and it goes heywas im hey when you do it tap it off and it will be muted you hear it breaks all the sound because it doesn't want a feedback loop causing entropy that only gradually gets worse and worse until it turns into nothing but white noise and crap so it cuts off and prevents it from working it doesn't like it so stop doing it and force you to do it, it closes you completely off again This is not the process you want to use for Skype you will want to use third party software, I wanted to avoid that too I didn't want to pay for anything because a lot of people don't have any money. I'm not really sure what this money thing is, but I don't have a lot of it and when I have it it seems to go away faster than I actually got it, what you want to do is do some more to music via skype or id sound to share a podcast and audio clips like a pro and then go through all the software you need to get it working and it's a bit complicated because they cover all of thebas it the whole software how to installhow to configure how to get it right your system and how it meets skype now personally i don't like this setup i don't really use skype i don't have a lot of people i skype with i think maybe two people and one is my mom so that doesn't really count for everything so i couldn't get this cable entry working but i am not really driven to find a solution because i don't ever have this setup the time I need to record Broadcast I use Open Broadcaster OpenBroadcaster is a great program it does everything I need it records my screens I can choose what I want game content you know it even records my microphone and it records from a selected source so I can choose which microphone it uses and not only does it record to a file, but I can also, if I choose, broadcast a Twitch or a livestream or whatever, which I've never done before I will probably never do it but at least it's there and the free software is free my favorite number for free love it takes it keep it forever it's great if you're looking for a solution i don't know if that costs anything i haven't done any research me just found it and said hey that was like it worked and there are a couple of people in the comments who s agen that it probably didn't work for me because their drivers are out of date or they didn't follow the instructions exactly this is the best solution I could find, hopefully it works for you, it's not my thing but if it's that is what you are looking for and don't want to hear? yourself, if you do some recording assistance or encounter the problem that Skype can hear you and create a loop then your best solution is probably third party software and I really hope your system is up to date and I really hope that you have the hardware skills to actually pull this off because the more software you throw in between the more your system has to work and the more latency you might have, who knows, but hopefully this will work for you and if you're not very lucky, Finding a solution is every system different, even Macs a They are different, you have a Macand yes they are all cookie cutters but they are slightly different. Every system is slightly different and behaves differently, which is not two-part.
You may have bought the same hardware and built an identical system, but it is being made in a different way so you will have to try it out with my solution. With the third-party headset without third-party software, you will have to adjust your microphone volume and any playback just like that, and you will need to do so on a case-by-case basis for the game you are playing or the program you are using again and sometimes you may have to be a little louder or sometimes a little quieter and you also have to overcome the delay you need to consciously decide not to hear yourself a bit of training and I even stammer myself a few times in the article because I can hear myself and didn't manage to lock it in the back of my mind so it's not a perfect solution, but it is so solution So try it, google it you know it's not hard, it took me a good five seconds to get this one Find articles and it looks like you've given yourself most of the free software or donation-based software, but hopefully this works for you have to play with it learning software unfortunately if you are early crunch learning software can be a problem but if it solves the problem quickly then it's great hopefully you will find a solution and if you share it in the comment and let others know, hey, i have one found other solution check it out here or google this phrase because for some reason youtube is letting us stop using links so just go ahead and just leave a comment saying i found a better solution or you suck and squeeze I don't care about the article starting from I, this article here is just to answer a lot of open questions that I keep getting so don't worry if that doesn't work for you then you just got a tricky system update on your drivers make sure everything is set follow the instructions carefully and everything that is in the description so just give it a try if it doesn't work uninstall it has ever happened so that i can solve your problems, you yourself have great day and i hope we'll see you on the flip
How to enable missing stereo mix in Windows 10?
Go to the Recording tab, and right-click inside the listed devices. Select ‘Show disabled devices’ and ‘Show disconnected devices’. If Stereo Mix shows up, right-click it and select Enable. Missing Stereo Mix Option
How do I Turn on stereo mix?
Enable Stereo Mix. Go down to the audio icon in your system tray, right-click it, and go to “Recording Devices” to open up the proper settings pane. In the pane, right-click on a blank area, and make sure both “View Disabled Devices” and “View Disconnected Devices” options are checked. You should see a “Stereo Mix” option appear. Right-click on...
What to do if there is no stereo mix driver?
If there is no Stereo Mix driver on your computer, then you have to download and install the driver. 1. Right-click on the Windows icon and then click on “ System “. 2. You need to check the ‘ Device specifications ‘ on your computer. 3. Next, you note down the ‘ System Type ‘. If it is “ 64-bit ” or “ 32-bit “. 4.
How to enable Realtek stereo mix Windows 10 for sound?
Right-click the Sound icon at the right corner of Windows taskbar and click Sounds option. Click Recording tab and you can see Stereo Mix of Realtek Audio. Right-click Stereo Mix and select Enable. Click Apply and click OK to enable Realtek Stereo Mix in Windows 10.